Bangkok Cinema Scene: Movies opening April 21-27, 2016

Patong Girl

A German teen on holiday in Thailand with his dysfunctional family falls head over heels for a local lass in Patong Girl (สาวป่าตอง), an indie drama that recently won a Grimme Prize in Germany.

It's directed by Susanna Salonen, a veteran cinematographer whose credits include second unit work on Run Lola Run, making her feature directorial debut. She was inspired to make Patong Girl by her experience during the 1990s as a diving instructor on Phuket.

The film follows the Schroeder family as they embark for one last holiday together before their youngest son Felix goes off to college. Locked into what turns out to be a dodgy holiday package, the family spends their nights boozing in a red-light district, where Felix comes to the rescue of a damsel named Fai and ends up running off with her without really knowing who she is. The mother, meanwhile, is becoming dissatisfied with her husband and she runs off too, ostensibly to find the son. She ends up finding herself.

In addition to the strong performances by Max Mauff as Felix and Victoria Trauttmansdorff as the mother, there's a break-out role for (spoiler alert) transgender actress Aisawanya Areyawattana.

Interestingly, the film was actually made around Pattaya, with Bangkok-based production services company De Warrenne Pictures and co-producer Tom Waller, helping set the stage.

The limited theatrical release follows appearances in the German Open Air Cinema season and German Film Week. It's at SF World at CentralWorld as well as SF cinemas at Pattaya Beach, Jungceylon Phuket (Patong) and Maya Chiang Mai.

For details, check the Facebook page. There's also a Vimeo trailer and an article in The Nation. Rated 15+

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Also opening

Green Room – Patrick Stewart, the refined stage and screen actor best known for his roles as Captain Picard in Star Trek: The Next Generation and as Professor Xavier in the X-Men movies, takes a villainous turn as a white supremacist criminal kingpin in Green Room. The thriller is about members of a rock band who are locked in a fight for survival with skinhead gangsters after they witness a murder. Anton Yelchin, Imogen Poots, Alia Shawkat and Joe Cole also star. Critical reception is generally positive. Seems this is only playing in a small number of venues, so good luck finding it at a cinema near you. Rated 18+

Hardcore Henry – Taking inspiration from first-person-shooter video games and other point-of-view (POV) media, this Russian indie action feature is being touted as the first full-length film to be shot entirely from the first-person perspective. Basically the movie Crank, if it were made from a camera planted in Jason Statham's brain, it follows the adventure of a secret agent who wakes up in a lab and then goes through all kinds of violent situations to rescue his scientist wife, who has been abducted by a superpowered warlord. Sharlto Copley, Tim Roth and Haley Bennett are among the stars, but the real stand-out performers are the various stunt actors who donned a GoPro camera helmet to shoot, stab and punch their way through the film. Critical reception is mixed. Rated 18+

Race – Track-and-field star Jesse Owens faced a dilemma when he was chosen to represent the USA in the 1936 Berlin Olympic games. There were folks who urged him to not take part, thus denying Adolf Hitler and the Nazis a propaganda opportunity. Others pleaded with him to go to Berlin, because he most certainly would win and disprove assertions that black people were somehow "inferior". Stephan James stars in this historical sports drama, with former Saturday Night Live cast member Jason Sudeikis taking a dramatic turn as Owens' coach. Other stars include Jeremy Irons, William Hurt and Carice van Houten from Game of Thrones. Critical reception is mixed. Like Green Room, this is another limited release, with just a few venues listed. Rated G

Colonia – Emma Watson (Hermoine from the Harry Potter movies) is a young woman caught up in the unrest of 1973 in Chile. After her husband (Daniel Brühl) is kidnapped by Pinochet's secret police, she tracks him into the jungle to a torture center run by a Christian sect led by a former Nazi (Michael Nyqvist). She joins the cult in hopes she'll be able to rescue her husband. Critical reception is mixed. This opened last week in sneak previews and now moves to general release. Rated 13+

The Wave – The Norwegian film industry flexes its special-effects muscles with this Hollywood-style disaster thriller. It's set in an isolated village threatened by a tsunami, created when an unstable mountain slid off into a nearby fjord. Human drama ensues as residents scramble for higher ground. Critical reception has been mostly favorable. Rated 13+

Before I Wake – A young couple (Kate Bosworth and Thomas Jane) take in a foster child, a boy who is plagued by dreams and nightmares that come to terrifying life as he slumbers. As the dreams become increasingly dangerous, the kid tries to stay awake in a bid to save his new family. He is portrayed by Jacob Trembley, the child actor who won widespread accolades for his performance in the much-acclaimed Room. The writer-director is Mike Flanagan, who previously did the Blumhouse horrors Oculus and Hush. The buzz on this seems to be positive, even as critical reception is just starting to jump. Rated 15+

Detective Chinatown – This is not the long-awaited sequel to the Chinatown sequel The Two Jakes. No, Detective Chinatown is a Chinese action-comedy about a wannabe police officer who comes to Bangkok and gets mixed up in a murder case. Aspiring to be the next Chinese made-in-Thailand mega-hit like Lost in Thailand, Detective Chinatown was actually shot in Bangkok. It was a hit in China and got a fun review by Maggie Lee of Variety. Thai-dubbed only. Rated 15+

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Also showing

Bangkok Asean Film Festival – Movies from all the member states of the Association of Southeast Asian Nations will be featured in the second edition of this freebie festival, which is open to the public from tomorrow until Tuesday at SF World Cinema at CentralWorld. It is put on by the Culture Ministry in a bid to promote Bangkok as a cultural and cinematic hub for the region. There are noteworthy films from Brunei, Cambodia, Indonesia, Laos, Malaysia, Myanmar, the Philippines, Singapore, Thailand and Vietnam. In addition to 10 recent titles, there are three "Asean Classics", including the 1975 social drama Manila in the Claws of Light by Lino Brocka and 1954's After the Curfew from Indonesia. The fest is covered at length in an entry posted on Tuesday, just moments after the schedule was finally revealed. I mostly want to see Bitcoins Heist from Vietnam. Tickets are free and handed out 30 minutes before the shows to punters who queue up at a special table there at CentralWorld.

The Friese-Greene Club – Chow Yun-fat is at his best tonight in The Killer, John Woo's seminal slice of 1980s Hong Kong action and thrills. Tomorrow, it's the "quirky '80s" with the Coen Bros.' debut Blood Simple, which pretty much set the template for everything they've done since. The club is booked for a private event on Saturday but is back open on Sunday for Akira Kurosawa's Seven Samurai. Next Tuesday, there is a special screening, of the Cambodian documentary I Am Chut Wutty, which covers the killing of an environmental activist. With a venue in Phnom Penh threatened with "strong action" if it showed the film, director Fran Lambrick granted permission for the FGC to show it. It is a case similar to Bradley Cox's banned-in-Cambodia documentary Who Killed Chea Vichea? about a slain Cambodian labor organizer. Find out more at the Facebook events page. And next Wednesday it's Carol Reed's film-noir spy tale Our Man in Havana, starring Alec Guinness. Shows are at 8pm (except for Seven Samurai, which starts at 7). The FGC is down an alley next to the under-renovation Queen's Park Imperial Hotel on Sukhumvit Soi 22. For more details, check the club's Facebook page.

Alliance Française – A strict judge is in an awkward situation in the comedy Nine-Month Stretch (9 mois ferme), which screens at 7pm on Friday in French with Thai subtitles. Next Wednesday's English-subbed offering is Heat Wave (Coup de chaud), a murder mystery that's set during a heat wave in a small African town. Admission is 100 baht for the general public.

Foreign Correspondents Club of Thailand – Films by Asian female directors living in the West have been the focus of the FCCT's Contemporary World Film Series of late, with Indo-Canadian Deepa Mehta's Earth screening on Tuesday. Next up, at 7pm on Monday, April 25, will be Dukhtar, which New York-based Pakistani Afia Nathaniel made to widespread acclaim. It follows the adventure of a determined mother who takes her daughter away to break the cycle of arranged marriage in the Pashtun tribe. It was Pakistan's official submission to the Academy Awards. Admission is 150 baht for non-members.

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Take note

After the long Songkran break, movie distributors and multiplex chains are back in furious action this week getting eight or so smaller titles off their shelves ahead of the next big Hollywood comic-book tentpole, Captain America: Civil War, which actually hits cinemas next Wednesday along with a handful of other movies the following day. I'll aim for an update on the usual day. So see you next Thursday.

Bangkok Cinema Scene special: Bangkok Asean Film Festival, April 22-26, 2016

Movies from across the Asean Economic Community will be shown in the second edition of the Bangkok Asean Film Festival, which opens to the public on Friday at SF World Cinema at CentralWorld. It's put on by the Ministry of Culture, with support from SF cinemas, the Thai Film Archive and the Federation of National Film Associations of Thailand.

The selection has recent acclaimed movies from all the Asean member states plus three "Asean Classics", films that date back to the 1950s and 1970s. The entries are a mix of gripping drama, romance, comedy, action and a moving documentary. Here is the line-up:


Asean Classics

• The Snake Man (Pous Keng Kang, a.k.a. The Snake King's Wife) – An icon of Cambodian cinema's lost "golden age", Tea Lim Koun's inventive special-effects-laden fantasy is the tragic story of a girl who is destined to be the wife of the Snake King. The doyenne of the Cambodian stage and screen Dy Saveth is among the stars, and she is due to put in an appearance at the festival. Made in 1972, the film was released across Asia, including Thailand. Unfortunately, the first 10 minutes are missing. Also, it is Thai-dubbed only and there are no English subtitles, the only one in the fest where that is the case. But it's still worth a look if you are interested in Cambodian cinema and weird B-movie fantasies.
• After the Curfew – From 1954 and directed by Usmar Ismail, this social drama is regarded as a classic of Indonesian cinema. It's about a former soldier who takes up a vigilante cause against corrupt officials.
• Manila in the Claws of Light – Directed by Filipino cinema titan Lino Brocka, this much-acclaimed 1975 social drama follows a young man who has left behind his rural hometown and work as a fisherman to move to the big city and in search of new opportunities and a better life. He should have stayed in the countryside.

Asean films

• Yasmine, Brunei – Not many films come out of Brunei. And Yasmine is only the second Bruneian film I've ever heard of. Even more unusual, is that Yasmine centers on a young woman who goes against conservative society to join competitions in the Malay martial art of silat. It won prizes at the Asean International Film Festival and Awards and at the Neuchatel International Fantastic Film Festival in Switzerland.
• 3.50, Cambodia – Chhay Bora directs this drama about Cambodia's illegal sex trade, as seen through the eyes of an American woman who is making a documentary film and becomes determined to change the country's cruel ways.
• A Copy of My Mind, Indonesia – Top indie talent Joko Anwar turns to romance with this drama about a woman who works in a beauty salon who falls for a subtitler of pirated DVDs. Their love turns problematic amidst turbulent politics. The film was in competition at the Venice fest last year and has been a frequent entry of festivals around the region.
• Above It All, Laos – Outside of the Lao PDR, it's kind of hard to describe how groundbreaking this film is. But it is the first Lao film to have a gay main character, a medical student who is struggling to come out of the closet to his strict father. It also deals with a young Hmong woman who wants to break away from the tribal tradition of arranged marriages. Directed by Anysay Keola, one of the leading figures of Laos' burgeoning film industry, Above It All premiered at last year's Luang Prabang Film Festival.
• Day and Night, Malaysia – This is a compilation of segments by three talented independent Malaysian filmmakers, who all offer their reflections on the state of contemporary Malaysian society. The segments are Trespassed by Ho Yuhang, Bite by Charlotte Lim and Bedside Manners by Yeo Joon Han.
• Kayan Beauties, Myanmar – The often-exploited "giraffe neck" women of Myanmar's and Thailand's tribal regions are thrust into the spotlight in this 2012 feature, which has been shown at many festivals around the Asia-Pacific and won awards. The adventure story involves three young Kayan women who take up the search for a girl abducted by human traffickers. The Nation has an article from a couple years ago.
• Taklub, Philippines – Brillante Mendoza, the chief purveyor of the gritty so-called "poverty porn" films of the Philippines, directs this documentary-style drama about families attempting to pick up the pieces after their community was devastated by Supertyphoon Yolanda in 2014. Veteran actress Nora Aunor stars. It won the Prize of the Ecumenical Jury at Cannes last year.
• 3688, Singapore – Celebrated filmmaker Roystan Tan's movies generally have numbers in their titles and tend to be musical tales about starry-eyed dreamers. His latest is about a parking attendant who wants to be a singer just like her famous namesake, the Taiwanese "queen of hats" Fong Fei Fei.
• The Songs of Rice (พลงของข้าว, Pleng Khong Kao), Thailand – Talented director and cinematographer Uruphong Raksasad wraps up a trilogy of farming documentaries with The Songs of Rice, which is a tuneful look at the rites of rice cultivation across the Kingdom. Winner of many prizes, Uruphong's film vividly captures such unique scenes as the water buffalo races in Chon Buri and the rocket festival in Yasothon, along with parades, prayer ceremonies, alcohol-fueled festivities and beauty pageants. It was one of my favorites of 2014.
• Bitcoins Heist, Vietnam – Ham Tran, who made his worldwide breakthrough with 2006's post-war drama Journey from the Fall, is now solidly part of Vietnam's commercial film industry. His latest is a high-tech action thriller about a disparate squad of crooks and con artists who are tasked with tracking down a cyber-criminal. Out of all the films in this fest, this is the one I most want to see.

All films will have English and Thai subtitles (except for Cambodia's The Snake Man). After Bangkok, the fest will travel to SF cinemas in Khon Kaen from April 28 to May 4, Surat Thani from May 6 to 12 and Maya Chiang Mai from May 13 to 19.

In addition, the Film Archive will have a special screening of the Asean Classics on May 1.

Admission is free, with tickets handed out at a special table 30 minutes before the shows. Line up well before then to ensure you get a decent seat. For the schedule, please check the website. For more details, see www.SFCinemaCity.com.

Bangkok Cinema Scene special: Bangkok Asean Film Festival

Yet another free film festival is upon us with the Bangkok Asean Film Festival, organized by the Culture Ministry and the Federation of National Film Associations of Thailand. Running from August 27 to 30 at SF World Cinema at CentralWorld, it will present films from each of the member countries of the Association of Southeast Asian Nations.

Noteworthy entries include The Last Reel from Cambodia, Bwaya from the Philippines and Men Who Save the World from Malaysia. There are even films from two countries that don't really make that many movies, Laos and Brunei.

Here is the line-up:

• What's So Special About Rina? (Brunei) – One of the first feature films to come out of the oil-rich Muslim sultanate on the island of Borneo, Rina is an enjoyable romantic comedy by Harlif Haji Mohamad and Farid Azlan Ghani. It centers on a sad-sack advertising man named Hakim (Syukri Mahari) and his ladies-man roommate Faisal (Tauffek Ilyas). Hakim nervously attempts to catch the eye of his new co-worker Rina while Faisal competes for the affections of a waitress, who is also being wooed by an Elvis impersonator. Read more about it in an article in The Nation from a couple years ago.
• The Last Reel (Cambodia) – This much-buzzed-about title mixes contemporary Cambodian culture with the country's cinematic Golden Age of the past, all tinged by the atrocities of the Khmer Rouge era. The drama involves a young woman (Ma Rynet) who learns that her aged, mentally ailing mother was an actress in the 1960s and 70s. Seeking to make a connection with her mom, Sophoun sets about recreating the lost final reel from one of her mother's most famous films. Mom is portrayed by Dy Saveth – one of Cambodia's best-known actresses and a starlet of the Golden Age. The debut film by Kulikar Sotho, The Last Reel has won several prizes, including the Spirit of Asia Award from the Tokyo film fest and the Black Diamond Audience Award from the Udine Far East Asian Film Festival.
• Siti (Indonesia) – Directed by Eddie Cahyohno, Siti is a 24-hour slice of life about a young mother who goes to work in a karaoke bar, against her fisherman husband's wishes, in order to support the family. It is filmed in black-and-white, in the old-style 4:3 ratio. Critical reception has been fair, and Siti has won awards, including best actress at the Singapore International Film Fest for star Sekar Sari and best script at the Shanghai fest.
• Real Love 2 (Laos) – Stifled for decades by the communist military rulers, commercial filmmaking is finally starting up in Laos, and one of the early adopters of this fledgling medium has been singer, comedian and TV host Jear Pacific, who last year made his film debut with the romantic comedy Huk Ey Ly, which offered various vignettes of young couples and their comical antics, all in a slapstick style designed to appeal to an audience whose main source of entertainment has been Thai television. The quickly made sequel Huk Ey Ly 2 offers more of the same, and it's been a big hit in Laos, which just opened its first modern multiplex, the Major Platinum Cineplex in Vientiane.
• Men Who Save the World (Malaysia) – Liew Seng Tat, who made his award-winning feature debut in 2007 with the sweet boyhood tale Flower in Pocket, returns with a satire on contemporary Malaysian society with Men Who Save the World. The story is centered in a remote village that is panicked by a haunted house, inhabited not by ghosts, but by a fugitive African immigrant. From appearances in festivals that include Hong Kong, Locarno and Singapore, critical reception has been mixed, but perhaps viewers with more than a passing knowledge of Malaysian culture will appreciate this film more.
• Golden Kingdom (Myanmar) – This is a drama, written and directed by American filmmaker Brian Perkins. It premiered at this year's Berlin International Film Festival, where it was a nominee for Best First Feature and the Crystal Bear Award in the youth-oriented Generation Kplus category. With many painterly, finely composed shots, it follows four young novice monks at a remote monastery, who are left to fend for themselves when their abbot is called away on temple business. Critical reception has been fair.
• Bwaya (Philippines) – A 2009 incident in which a girl was killed by a crocodile serves as the basis for this award-winning drama by Francis Xavier Pasion. Set in the Agusan del Sur water basin, the story involves a young mother (Angeli Bayani from Ilo Ilo) who is searching for her daughter's missing body. She has to navigate treacherous social terrain as she discovers that the worst predators are not in the water. Bwaya (Crocodile) has won many awards, including the Best Film-New Breed prize and Netpac Award at Cinemalaya and the Grand Prize at Tokyo FilmEx.
• 1021 (Singapore) – Despite a huge Tamil-speaking population, locally made Tamil films have been rare in Singapore, but there is a movement afoot to correct that. Following 2009's My Magic by Eric Khoo, now there's 1021, a family drama about a teenage girl who after the death of her mother goes to live with her father, a lonely, depressed man who has turned to drugs to cope. Local buzz has been positive.
• Latitude 6 – Thailand looks the Deep South for its contribution to the festival, with this drama that was released in cinemas in July. Directed by Thanadol Nualsuth, it weaves together stories in a tight-knit ethnically diverse community in Pattani. The characters include a Bangkok musician and computer technician (Peter Corp Dyrendal) who comes to Pattani to update the Islamic Bank's software. Along they way, he falls for a Muslim woman, who is the daughter of a stern, tradition-minded religious leader who frowns when he sees the guy's tattoos. There's also a young guy who wants to excel at Pencak Silat, against the wishes of his tradition-minded father, and a young woman who deejays for a community radio station, caught in a love triangle between two boys. And the Army's Internal Security Operations Command (Isoc), who produced this bit of propaganda, is there to lend an amiable, helping hand.
• Big Father, Small Father and Other Stories – Another selection from this year's Berlinale, Big Father is the sophomore effort from director Phan Dang Di, who was much acclaimed for his debut Bi, Don't Be Afraid. Set in 1990s' Ho Chi Minh City, the story involves a youngster named Vu who arrives in Saigon to go to photography school. He falls in love with his roommate, a shady guy who wants to involve Vu in various schemes. Meanwhile, the boy's father pushes a village girl toward Vu for an arranged marriage, and she becomes a third leg in an awkward triangular romance. In addition to taking part in the top-tier Golden Bear competition in Berlin, Big Father was also a nominee for prizes at the Hong Kong fest.

In addition to those 10 films, there is a hidden 11th title in the mix, Mart Payak, a made-for-TV biographical documentary on famed boxer Samart Payakarun, "The Jade Faced Tiger". Part of The Great Muay Thai Fighter TV series produced by Krungthep Thurakij and the Now 26 television channel, with support from the Culture Ministry, it follows Samart from his start in the ring as a boy and his rise to the heights of the Muay Thai world. It screens just once, on Wednesday night in a gala invite-only opening ceremony.

Following its run in Bangkok, the Asean Film Festival will travel to SF branches in Chiang Mai from September 3 to 6, Khon Kaen from September 10 to 13 and Surat Thani from September 17 to 20.

Admission is free, with tickets handed out 30 minutes before the shows. You'll want to queue up for an additional 30 minutes or so to ensure you get a decent seat. For the schedule, please see the SF Cinemas website.

Bangkok Cinema Scene special: Salaya Doc 2015

With an abiding focus on Southeast Asia, as well as filmmaking and cultural preservation, the Salaya International Documentary Film Festival returns for its fifth edition from March 21 to 28 at the Thai Film Archive in Salaya, Nakhon Pathom, and from March 24 to 27 at the Bangkok Art and Culture Centre.

Opening film

• The Look of Silence – Director Joshua Oppenheimer continues to examine genocide in Indonesia with this follow-up to his Oscar-nominated The Act of Killing, which rounded up the lethal men behind Indonesia’s anti-communist purges of the 1960s. The Look of Silence centers on an optometrist who uncovers the identity of the men who killed his brother. Winner of the Venice fest’s grand jury prize and awards at many other festivals, The Look of Silence has been much acclaimed, and has even been made required viewing for Indonesian military troops.

Closing film

• Y/Our Music – Unusual figures at the fringes of Thailand’s music scene are featured in this indie doc by Waraluck “Art” Hiransrettawat Every and David Reeve. It journeys through the Isaan countryside and hidden pockets of Bangkok to survey an array of musicians, from the amateur maker of bamboo saxophones to veteran performers of traditional songs. The documentary premiered at last year’s Busan fest, and this week makes its North American premiere at the music-leaning South by Southwest Festival in Austin, Texas.

Special screenings

• Southeast Asian Cinema – When the Rooster Crows – Italian director Leonardo Cinieri Lombroso interviews four of the region's cinema talents: Cannes-winning best director Brillante Mendoza from the Philippines, Singapore’s Eric Khoo, Indonesia’s Garin Nugroho and Thai auteur Pen-ek Ratanaruang. It is generously sprinkled with clips from all the directors’ films, and has interviews with producers, critics and behind-the-scenes talents. I reviewed it at last year's Luang Prabang Film Festival.
• Flowers of Taipei: Taiwan New Cinema – Here's a look at the influential stalwarts of Taiwanese cinema, among them Edward Yang and Hou Hsiao-hsien, and how they aided Taiwan’s transformation from a hub of cheap plastics manufacturing to a cultural and technological powerhouse. Artists and filmmakers from other parts of the world are interviewed about how Taiwanese cinema has shaped their work. They include Thai director Apichatpong Weerasethakul invoking his “film is memory” mantra, along with Kiyoshi Kurosawa, Hirokazu Kore-eda, Jia Zhangke, Wang Bing, Ai Weiwei and others.
• Love is All: 100 Years of Love and Courtship – Rare footage from the British Film Institute and Yorkshire Film Archive covers this history of romance in film, from the very first kisses ever caught on film, through the disruption of war, to the birth of youth culture, gay liberation and free love. It's directed by Kim Longinotto directs, and Richard Hawley, formerly of the British rock band Pulp, provides the soundtrack.
• No Word for Worry – Norwegian director Runar Jarle Wiik looks at the fast-fading culture of Moken “sea gypsies” in Myanmar, and one young man's efforts to preserve it.
• The Wages of Resistance: Narita Stories – This is a followup to the series of classic documentaries by Ogawa Shinsuke about the farmers who opposed the building of Tokyo's Narita airport in the 1960s. They haven't given up, and are now fighting airport expansion. It's directed by Daishima Haruhiko with Otsu Koshiro, who served as cinematographer on Shinsuke's earlier docs, which I saw at the 2011 edition of Salaya Doc.
• National Gallery – And the festival continues to fete the esteemed 85-year-old “institutional” documentarian Frederick Wiseman. Last year the festival featured his At Berkeley and this year it's an exhaustive three-hour look behind the scenes of the revered London art museum.

Asean competition

• The Storm Makers – Cambodian filmmaker Rithy Panh, whose Oscar-nominated The Missing Picture screened in Salaya last year, produces this work by French-Cambodian director Guillaume Suon. It's the story of Aya, a young woman who at age 16 was sold into work as a maid in Malaysia, where she was exploited and beaten for two years without receiving any pay. “I should have died over there”, she says. The director then has a chat with Pou Houy, the notorious head of a recruiting agency who shamelessly admits he doesn’t care what happens to the women he hires, and that he’s only interested in profit.
• Die Before Blossom – Indonesian director Ariani Djalal focuses on two families during a decisive period of their daughters’ schooling in Yogyakarta, just as public education in Indonesia is coming under political pressure to include more Islamic teachings in its formerly secular curriculum.
• Lady of the Lake – Yangon Film School student Zaw Naing Oo directs this examination of Myanmar’s “cult of the nat” – spirit worship – in a village on Moe Yun Gyi Lake, in the country’s southcentral Bago Region.
• Echoes from the Hill – In northern Thailand, a village inhabited by the “Pgaz K’Nyau” – simple humans – is under threat. Their sacred belief is to remain in harmony with nature, even as they come into conflict with the Thai government’s attempts to build a dam and make their ancestral forest lands a national park. Jirudtikal Prasonchoom and Pasit Tandaechanurat, students King Mongkut’s Institute of Technology Ladkrabang direct.
• Madam Phung’s Last Journey – Ageing drag queens lead a transgender carnival troupe around Vietnam. At each town, a pattern is repeated. Locals are at first enchanted by the entertaining visitors, but later at night, after the drinks have flowed, the scene turns ugly, and the troupe has to beat a hasty retreat. Nguyen Thi Tham, who spent around a year embedded with the troupe, directs. I reviewed it at last year's Luang Prabang Film Festival.
• 03-Flats – Lei Yuan Bin seeks to dispel the dull and drab image of Singapore's public housing program with help from three single women who have made their flats into spaces that can truly be called homes.

Please note that the screening schedule had not yet been completed when I last checked, and that this is only a tentative lineup. I'll aim to have further information in time for my usual update next Thursday. For more details, check www.Fapot.org or www.Facebook.com/SalayaDoc.

Bangkok Cinema Scene special: Salaya Doc 2014

The schedule has been completed for the fourth Salaya International Documentary Film Festival, which runs from March 22 to 29 at the Thai Film Archive in Salaya, Nakhon Pathom and from March 25 to 28 and on March 30 at the Bangkok Art and Culture Centre.

Highlights include the Thai premieres for the Rotterdam award-winner The Songs of Rice and the Oscar-nominated Best Foreign Language Film The Missing Picture.

The opening film will be At Berkeley, a brand-new work by documentarian Frederic Wiseman. Running for four hours, it chronicles the debate over tuition increases and budget cuts at the University of California at Berkeley.

The Songs of Rice, the latest feature by Agrarian Utopia director Urupong Raksasad, will be the closing film. It was among a big crop of Thai films at this year's International Film Festival Rotterdam, where it made its world premiere and was given the Fipresci Award.

The Missing Picture, the first Foreign Language Film nominee for Cambodia at the Academy Awards, is the latest work by Cambodian filmmaker Rithy Panh to examine the legacy of the Khmer Rouge. It combines archival footage and uses clay figures of his vanished family members in a bid to reconstruct fading memories. It makes its Thai premiere in a special screening.

Another special screening will be Receiving Torpedo Boat (การรับเรือตอร์ปิโด), 1935 footage by Luang Kolakarn Jan-Jit (Pao Wasuwat) about Royal Thai Marines going to Italy to acquire a torpedo boat. The film was added last year to the Registry of Films as National Heritage.

The Director in Focus this year is Kazuhiro Soda, with screenings of two of his films, Campaign 1 and Campaign 2
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There will also be a selection of UK-produced documentaries co-presented by the British Council – Rough Aunties, Requiem for Detroit, Moving to Mars and Soundtrack for a Revolution.

Entries from Cambodia, Myanmar, the Philippines, Singapore, Thailand and Vietnam have been selected for the festival's Asean Documentary Competition.
Two of them are by Thai indie filmmakers – Sivaroj Kongsakul and Wichanon Sumumjarn.

In Homeland, Sivaroj continues on the themes he explored in his semi-autobiographical debut feature, 2010’s family drama Eternity (Tee-Rak). The 23-minute documentary is about a schoolteacher who, after 36 years of instructing first-grade pupils, hopes to own her own home before she dies.

Wichanon, who made his feature debut with the semi-autobiographical documentary-drama In April the Following Year There was a Fire, looks at a young Isaan lass as she takes a job as a product presenter in Pretty Woman Walking Down the Street.

From Myanmar, Aung Nwai Htway dissects his parents’ marriage in Behind the Screen. His folks were film icons in 1960s Myanmar, but today Htway struggles to reconcile those glamorous images with the painful memories of his parents’ divorce.

The Cambodian entry Red Wedding looks at a legacy of the Khmer Rouge, which forced some 250,000 women into marriages. Directed by Lida Chan and Guillaume Suon and produced by Rithy Panh, Red Wedding tells the story of Sochan, who at the age of 16 was forced into a marriage with a soldier who raped her. After 30 years of silence, she brought her case to the international tribunal in Phnom Penh.

Another Asean neighbour’s past is unearthed in To Singapore, With Love by Tan Pin Pin. Her controversial film features interviews with the country’s political exiles.

The past also lingers in the Vietnamese entry, Mrs Bua’s Carpet, in which director Duong Mong Thu goes looking for memories and traces of war in Danang.

And Jazz in Love by Filipino filmmaker Baby Ruth Villarama centres on cross-cultural romance as it looks at a young Filipino named Jazz as he awaits the arrival of his fiance, a middle-aged German man.

Hit the following link to download the schedule.

(Via The Nation)