Showing posts with label Japanese. Show all posts
Showing posts with label Japanese. Show all posts

Friday, June 3, 2016

Bangkok Cinema Scene special: Bangkok Gay and Lesbian Film Festival, June 10-19, 2016


Twelve films, many of them award winners, which deal with lesbian, gay, bisexual and transgender themes from 10 countries will be shown at the Quartier CineArt during the second edition of the Bangkok Gay and Lesbian Film Festival. It’s organised by Attitude magazine.

With the theme “Love Wins”, the BGLFF opens next Friday with Tomcat, an Austrian drama that earned accolades at this year’s Berlin International Film Festival. The story of an orchestra musician and his boyfriend who live with their pet cat, Tomcat won the Berlinale’s best feature Teddy Award, a prize given by an independent jury to films with LGBT topics.

And the Teddy Award audience prize from this year’s Berlinale, Paris 05:59, is the BGLFF’s closing entry. It follows a young gay couple as they meet in a Paris bathhouse and pursue a relationship into the early morning hours.

In a move to boost the festival’s visibility, organisers have chosen a new venue, shifting from the hidden-away Esplanade Ratchadaphisek to the ritzy Quartier CineArt in the Em Quartier downtown.

“Last year was the first year for the Bangkok Gay and Lesbian Film Festival, and we were really happy with the turn-out. All sorts of people came out to support us and our films,” says organiser Marut “Nume” Prasertsri, a senior writer at Attitude magazine. “This year we’re working hard to increase the visibility of the festival to non-LGBT audiences. The films we’ve picked are all quality, well-made films with a wide appeal. We’re looking forward to sharing them with a broad audience of people, not just LGBT folks.”

Along with the prize-winning opening and closing films, Marut suggests a French entry, the lesbian romance Summertime (La Belle Saison) as one film the “straights” might embrace. Set in 1971, it’s the story of a young woman from the countryside who moves to Paris and is attracted to a strong-willed older feminist, who then follows the girl back to her farm. “Non-LGBT folk will better understand what it means to grow up different and they’ll enjoy the romance scenes,” says Marut.

Several of the films in the BGLFF are from Asia, such as Japan’s A Cappella (Mubansô), which takes place during campus protests in 1969 Sendai. South Korea offers a documentary, Weekends, about a gay men’s choir in Seoul. Directed by Lee Dong-ha, it placed third in the Panorama Audience Awards at Berlinale this year.

Further Asian themes are explored in Spa Night, in which a young Korean-American man struggles to reconcile his obligations to his immigrant family with his life in the underground world of gay hookups at Korean spas in Los Angeles. Spa Night star Joe Seo won the Special Jury Award for Breakthrough Performance at Sundance.

And there’s an award-nominee from India, Loev, about a businessman who heads out of town with an old friend, leaving behind problems with his boyfriend in the city. It was up for prizes at festivals in Jeonju, South Korea, and at the Black Nights of Talliin in Estonia.

The Asean bloc is represented by Miss Bulalacao, a quirky independent comedy about a drag princess who gets pregnant following an alien abduction. He is elevated to the status of a cult leader following rumours of immaculate conception. Directed by Ara Chawdhury, Miss Bulalacao won the festival prize at Manila’s Cinema One Originals Digital Film Festival and best first feature from the Philippines Young Critics Circle.

Latin American flavor comes in two entries, From Afar, from Venezuela and Four Moons from Mexico. Winner of the top-prize Golden Lion at the Venice Film Festival last year, From Afar is about a 50-year-old man who pays for the companionship of young men. A meeting with the teenage leader of a street gang changes their lives forever. Four Moons, which won prizes in Montreal, Monterrey and Barcelona, has four stories of gay desire, love and self-acceptance.

And there are high-profile offerings from the U.S. and Canada, with Nasty Baby, which has Chilean actor-director Sebastian Silva working with Tunde Adebimpe in a story about a gay couple trying to have a baby with the help of a surrogate mum, played by former Saturday Night Live star Kristen Wiig. They have a violent run-in with a thug (Reg E. Cathey from The Wire).

And Closet Monster won the best Canadian feature film award and other prizes at the Toronto festival last year. Directed by Stephen Dunn, it’s the dramatic coming-of-age story of a high-school teen who dreams of being a special-effects makeup artist and finds new inspiration.

The Bangkok Gay and Lesbian Film Festival runs from June 10 to 19 at the Quartier CineArt at the EmQuartier mall. Films will have English and Thai subtitles. For more details, check www.Facebook.com/BGLFF or Attitudethai.com/s/bglff


(Cross-published in The Nation)

Thursday, May 26, 2016

Bangkok Cinema Scene: Movies opening May 26-June 1, 2016

Money Monster


Fresh from the Cannes Film Festival, Money Monster is former child star Jodie Foster's fourth effort in the director's chair.

The loaded cast boasts George Clooney and Julia Roberts, with Clooney as a brash TV financial guru and Roberts the producer who is always in his ear. They are held hostage during a live broadcast by a disgruntled man (Jack O'Connell from Unbreakable) who lost his life savings after he followed the guru's advice. The captor then forces the pair to get to the bottom of a deeper financial conspiracy. Dominic West, Giancarlo Esposito and Caitriona Balfe also star.

This is the biggest and first major studio-backed effort for Foster as a director. The film premiered at the Cannes Film Festival, and Foster did the rounds of all the talk shows, promoting the film and offering her recollections on working on such films as Taxi Driver and Silence of the Lambs.

Critical reception is mixed, with the consensus being it doesn't go quite deep enough. Rated 15+



Also opening


Demolition – Jake Gyllenhaal is a Wall Street investment banker who goes off the deep end after his wife is killed in a car wreck, and he copes by dismantling everything in his life. An encounter with a problematic vending machine prompts him to send a complaint letter, which begins a series of confessional correspondence with a sympathetic customer-service rep (Naomi Watts). Chris Cooper also stars. It's directed by Jean-Marc Vallée, who previously earned accolades for his work on Dallas Buyers Club and WildCritical reception is mixed. It's in most multiplexes, including Apex, Century, Major Hollywood and SF, but not Major Cineplex, a development I'm told is because of a conflict between the country's biggest cinema chain and a small distributor. Rated 13+


Bastille Day – Idris Elba from TV's The Wire and Luther has had a busy season so far, lending his voice to Disney for The Jungle Book and Zootopia. Now the Mandela: Long Walk to Freedom star is back in front of the camera, offering his try-out to be the next James Bond in the gritty action thriller Bastille Day, which has the imposing British actor as a CIA agent in Paris. He's on the trail of a conspiracy that ropes in an American pickpocket (Richard Madden, the erstwhile King of the North from Game of Thrones). It's written and directed by James Watkins, who previously directed The Woman in Black and wrote The Descent: Part 2. Critical reception is mixed. Rated 15+


Warcraft: The Beginning – The World of Warcraft fantasy online video game is adapted for the screen, with the human realm of Azeroth coming under attack from the Horde of Orcs. Duncan Jones, son of David Bowie, directs, moving into big-budget special-effects-laden fare following his well-received low-budget indie sci-fi debut Moon and the bit-bigger sci-fi thriller Source Code. His involvement alone is reason enough for me not to dismiss it outright. Following the pattern of other big Hollywood releases this summer, Warcraft is opening here a couple of weeks before it comes out in the U.S., giving the movie some breathing room in foreign territories. Nonetheless, early critical reception is not so good. Rated 13+


If Cats Disappeared from the World – Cute-cat movies are a sub-genre of Japanese cinema. The latest is about a young man having an existential crisis after he learns he is terminally ill. He is visited by a devil, who dangles the chance to keep living if he'll pick one thing to eliminate from the world. The drama is adapted from a novel that was first published in Japan on the Line social-messaging app. Takeru Sato (Rurouni Kenshin) and Aoi Miyazaki (The Chart of Love) star. It's in Japanese with English and Thai subtitles at Apex Siam Square, Esplanade Ratchadaphisek, House RCA, Major Cineplex Ratchayothin and SFW CentralWorld. Outside of the city, venues are EGV Khon Kaen, Major Cineplex Central Festival Chiang Mai, MVP Buri Ram and SFX Maya Chiang Mai. Rated G


Fathers (ฟาเธอร์) – Gay couple Foon (Uttsada Panichkul) and Yuk (Nat Sakdatorn) face challenges when they adopt a little boy and the kid becomes teased at school for having two dads. They then come to the attention of a social worker (Sinjai Plengpanich), who advises the fathers to track down the child's birth mother. Rated 15+


The Promise (คิดถึงครึ่งชีวิต, Kidthueng Khrueng Cheewit) – A young man returns to his home in rural Chiang Mai after he fails his university entrance exams. He helps out around his mother's food shop while studying for a do-over of the exam, and then meets a young Japanese woman (Akiko Ozeki), in Chiang Mai as a magazine writer, and memories of the past come flooding back. Rated G



Also showing


The Friese-Greene Club – The month starts winding down tomorrow night with Peter Greenaway's best-known film, The Cook, The Thief, His Wife and Her Lover, which really encapsulates everything that is Greenaway, with sudden violence, nudity and stylish eroticism. Saturday is classic Robert Altman, who has a sprawling cast in Short Cuts, an ambitious, interweaving adaptation of several short stories of Raymond Carver. And Sunday has one more Edward G. Robinson film, his final role, co-starring with Charlton Heston in the dystopian sci-fi Soylent Green. Shows are at 8pm. The FGC is down an alley next to the under-renovation Queen's Park Imperial Hotel on Sukhumvit Soi 22. For more details, check the club's Facebook page.


Alliance Française – Tomorrow night's French film with Thai subtitles is Je fais le mort (Playing Dead), in which a struggling actor takes a job playing victims in crime re-enactments. And June's schedule kicks off with next Wednesday's French film with English subtitles, L'affaire SK1, a fact-based crime drama about a young police inspector who makes connections that put him on the trail of a serial killer. The shows are at 7pm. Admission for the general public is 100 baht.


Foreign Correspondents Club of Thailand – Filipino director Brillante Ma Mendoza is a favorite of film festivals, winning many, many awards around the world. His latest triumph came at Cannes, with actress Jaclyn Jose from his Ma' Rosa winning best-actress, the first Filipina to win that honor. Mendoza is also a favorite of the FCCT's Contemporary World Film Series, which has its next entry at 7pm on Monday with Mendoza's award-winning 2012 drama Thy Womb, about a midwife who can't have children who wants her husband to remarry so he can become a father. Nora Aunor stars. Entry is 150 baht for non-members and 100 baht to partake in the gourmet popcorn and San Miguel laid on by the Embassy of the Philippines. June will have three more films in the series, with the U.S. Embassy offering up Spielberg's Lincoln on June 6, a pair of Pakistani short films on June 13 and the Swiss film Le Meraviglie on June 20.



Sneak preview


Me Before You – The Mother of Dragons from Game of Thrones, Emilia Clarke, ditches her blonde wig for Bjork buns and colorful leggings to take on the role of the manic pixie dream girl in Me Before You, portraying a quirky young woman who takes a job as a caretaker to a withdrawn wealthy young man (Sam Claflin) who is wheelchair-bound after an accident. It is based on a novel by British writer JoJo Moyes, who also adapted the screenplay. The film is possibly better known for its poster being used in the "Starring Jon Cho" campaign, criticizing Hollywood's lack of diversity and imagining what it would be like if big Hollywood films had an Asian-American leading man. Critical reception is just starting to form. This is in nightly sneak previews from Saturday until Wednesday at most multiplexes, ahead of a general release next week.



Take note

House cinema on RCA will be closed from June 1 to 15 while some renovation and repair work is undertaken.

June and July are shaping up to be a very busy time for film enthusiasts, with the unveiling of more movie events.

Already mentioned is the Silent Film Festival from June 16 to 22 at the Lido and Scala.

Dovetailing with that will be the second edition of the Bangkok Gay and Lesbian Film Festival from June 10 to 19 at the Quartier CineArt.

And as if that isn't enough, CentralWorld's SF World Cinema piles on with the third edition of the freebie Singapore Film Festival in Bangkok from June 16 to 19, which will screen five award-winning Singaporean features.

Heading into July, the Thai Film Archive is formulating plans to start a series of screenings of films that were viewed in cinemas by His Majesty the King, starting with Santi-Vina, a 1954 feature that was misplaced for 60 years. It was rediscovered and restored and shown at the Cannes Film FestivalSanti-Vina will open the series of classic films in celebration of the 70th anniversary of His Majesty's accession to the throne, with one film a month being shown until December. The venue for this film series is yet to be announced. It is a similar idea to the Seen by H.M.K. series the Archive put on in 2012.

Also in early July, there will be another edition of the Thailand Film Office's bizarre and unique Thailand International Film Destination Festival at Paragon Cineplex, which will screen another oddball crop of little-seen foreign movies that were made in Thailand in recent years. That's in combination with the Amazing Thailand Film Challenge, a competition that jets in indie filmmakers to shoot short films in certain locations in just a few days with just a few baht.

Wednesday, April 27, 2016

Bangkok Cinema Scene: Movies opening April 27-May 4, 2016

Captain America: Civil War


With Captain America: Civil War, Marvel Studios offers a more brightly lit and quippier counterpoint to the drab darkness of the DC comics films.

Like DC's Batman v Superman: Dawn of Justice, Marvel's new Captain America movie pits top comic-book heroes against one another.

Here, the eternal Boy Scout, Steve "Captain America" Rogers, sees a threat in a plan by politicians to make superheroes accountable for all the collateral damage they are causing. It's understandable, I guess, given how Manhattan was ripped apart in the first Avengers movie and then Washington, DC took a big hit in Captain America: Winter Soldier.

The complex military industrialist Tony Stark, a.k.a. Iron Man, is on board with the politicians' scheme to keep the Avengers in check, but Rogers isn't so sure. So it's Cap and his team on one side and Iron Man and others on another.

Chris Evans returns as Cap, along with the core team that includes Anthony Mackie as Falcon, Sebastian Stan as Cap's former friend Bucky (now the damaged and brainwashed Winter Soldier), the archer Hawkeye (Jeremy Renner) and the supernatural-powered Scarlet Witch (Elizabeth Olsen)

Also back in action is Scarlett Johansson as conflicted anti-heroine Black Widow.

Robert Downey Jr. joins the proceedings this time out as Iron Man, adding his snappy one-liners, and basically making this Captain America movie an Avengers movie or another Iron Man movie. Don Cheadle is in there as well, as Iron Man's sidekick War Machine, along with Paul Bettany, the voice of longtime Stark family servant Jarvis, now the super cyber entity Vision.

And watch for a special appearance by the new Spider-Man, Tom Holland. Spidey was formerly trapped solely in Sony's web of Marvel Comic movies. With yet another new Sony Spider-Man series set to start next year, the webslinging teen hero has been freed up for crossover action in the Disney-owned Marvel Studios cinematic universe.

Many, many other supers will take part as well, introducing Chadwick Boseman as Black Panther and tossing in Paul Rudd as Ant-Man.

It's directed by the Russo brothers, Anthony and Joe, frequent TV-comedy hands who won accolades for their work on Winter Soldier. This doesn't come out until May 6 in the U.S., but, in a positive sign, many critics have already been allowed to see it, and are giving it good reviews. It's in converted 3D in some cinemas, including IMAX. Opens today.  Rated G



Also opening


The Idol – It's pretty rare for a Palestinian film to hit our screens, but I suppose this fact-based musical biopic makes commercial sense in a country where TV talent shows are a primary diversion, and so many of the movie and TV stars and popular musicians are former contestants of reality-TV talent shows. The drama covers the life of Mohammed Assaf, a young Palestinian musician who performed at weddings in refugee camps in Gaza. He went on to win on TV's Arab Idol in 2013, found worldwide fame and put Palestine in the spotlight. Tawfeek Barhom portrays the singer and Hany Abu-Assad directs. It screened at last year's Toronto International Film Festival and has been well-received by critics. Opens Thursday. It's in limited release in a handful of Major Cineplex outlets plus Apex in Siam Square, in the original Arabic with English and Thai subtitles. Rated G


Terra Formars – They are terraformers. On Mars. Get it? Terra Formars is yet another live-action adaptation of yet another popular Japanese comic series, and is much anticipated by fans of manga and Japanese pop culture. The prolific cult-film director Takashi Miike helms this big-budget effort, which was filmed in Iceland. Stars include Rinko Kikuchi and Rila Fukushima along with Kane Kosugi. Bit like Starship Troopers, the story deals with a small unit of soldiers who are fighting mutated cockroaches, giant bugs that were originally installed to help colonize the Red Planet. Opens Friday. It's Thai-dubbed in most places but the Japanese soundtrack with English and Thai subtitles is available in the usual downtown cinemas, including Apex Siam Square, Paragon, Quartier, Esplanade Ratchada, SFW CentralWorld and SFC Terminal 21. Rated G


Baaghi – A lot of Bollywood films, and other films, TV series, commercials, music videos, etc. from India, are made in Thailand. Local production-services company Benetone handles many of those projects, and they worked on Baaghi, which is actually set in Thailand. New-face leading man Tiger Shroff, along with Shradda Kappoor and Sudheer Babu star. It's the story of former college chums who fell in love with the same woman. Years later, she is abducted and is being held in Thailand, bringing the two former friends together again as fierce enemies. It's in Hindi with English and Thai subtitles at Major Cineplex Sukhumvit, Rama III and Pattaya. Opens Friday.



Also showing



Alliance Française – Lots of French film activities to report, in line with the Alliance's expansion of its movie programming. As covered in last week's update, tonight's French film with English subtitles is Heat Wave (Coup de chaud), a murder mystery that's set during a hot time in a small African town. Friday's French film with Thai subtitles is School of Babel, a comedy-drama about a special school in Paris for immigrant children. And there's a Saturday matinee "kids' movie", the 2010 animated Une vie de chat (A Cat in Paris), about a thieving feline who looks after a little girl. And the May schedule opens next Wednesday with the English-subbed Vincent, about a young man with secret superpowers. Shows are at 7pm (except the Saturday matinee, which starts at 2pm). Admission is 100 baht for the general public.


The Friese-Greene Club – April winds down with one more spy movie tonight, Carol Reed's Our Man in Havana with Alec Guinness. The club has a private event on Thursday, but is back open on Friday for a "quirky eighties" movie, Parents by director and often-seen character actor Bob Balaban. And the month closes out on Saturday with the dystopian drama Children of Men. For May, the club's schedule ponders the question, "Over-rated or Under-appreciated?" and then covers four distinctive auteur directors and one iconic actor. Wednesdays have the American indie director Jim Jarmusch while Thursdays are devoted to the great Orson Welles. Fridays have the artful eroticism of Britain's Peter Greenaway while Saturdays feature the overlapping dialogue and sprawling casts of America's Robert Altman. And Sundays, see, are devoted to Edward G. Robinson, starting with his film-noir classic with Bogie and Bacall, Key Largo. Wednesdays are mostly the early, under-appreciated efforts of Jarmusch, starting with 1984's Stranger Than Paradise, while next Thursday is the 75th anniversary screening of the classic film, Welles' Citizen Kane. The FGC is down an alley next to the under-renovation Queen's Park Imperial Hotel on Sukhumvit Soi 22. For more details, check the club's Facebook page.


The Special Screening of Three Classic Asean Films – The most-popular tickets at the Bangkok Asean Film Festival were the "Asean Classics", three older films that were screening alongside newer entries from all the Asean bloc countries. Those three films will be screened again on Sunday at the Film Archive in Salaya, Nakhon Pathom. They are the 1972 Cambodian fantasy The Snake Man at 1pm, 1954's After the Curfew from Indonesia at 3pm and 1975's Manila in the Claws of Light at 5pm. I actually saw Manila, and it is well worth making the trip to the Archive if you missed the Bangkok screening. The film recently underwent digital restoration and looks amazing. It's a gripping and gritty drama about the working class in the city. Please note that The Snake Man is Thai-dubbed with no English subtitles, but the others have both English and Thai subtitles. For details, check the Facebook events page.



Take note

I've gone ahead and issued my weekly update here a day early, owing to the big-tentpole opening of Captain America: Civil War, one day earlier than usual. Notably, Captain America doesn't open until next week in the U.S., so movie-goers in Thailand are among the first to feast eyes.

Tomorrow, the usual day movies tend to open here, there is scheduled to be one more new release, the Palestinian entry Idol.

For some reason, the Japanese film Terra Formars is not opening until Friday, which is unusual. And then there's the Bollywood release Baaghi, which opens on Friday, as per usual with the Bollywood films in Bangkok.

There are public holidays next week, including a Monday substitution for Labor Day on May 1, to give the working-class comrades and their elite overseers an extra day of rest. And then next Thursday is Coronation Day. But it appears the movies will shift back to their regular schedule of opening on Thursday.

Coming up, the dates for the third edition of the Silent Film Festival in Thailand are set for June 16 to 22, 2016 at the Lido and Scala cinemas. That's according to the latest newsletter from the Film Archive. Hopefully, more details will emerge soon.

Thursday, March 17, 2016

Bangkok Cinema Scene: Movies opening March 17-23, 2016

Jane Got a Gun


Natalie Portman is a young frontierswoman in Jane Got a Gun. Although she's got plenty of sand, she has to get help from her gunslinger ex-boyfriend when her farm and her husband (Noah Emmerich) come under attack from a land-grabbing villain.

Amazing that this movie got made. The gritty, female-focused western was initiated as a project for British director Lynne Ramsay (We Need to Talk about Kevin). But things apparently weren't to Ramsay's liking, and she departed the production on the first day of shooting. A game of musical chairs then took place as cast members departed and were replaced and others changed roles.

Australian actor Joel Edgerton was originally to play the villain, with Michael Fassbender as Jane's gunslinger ex. But Fassbender left and Edgerton moved into the hero role.

Edgerton brought in Gavin O'Connor, who he'd worked with on the fight picture Warrior, to direct.

Meanwhile, Jude Law, who was to be the new villain, left because he only wanted to work with Ramsay. Bradley Cooper was then cast, but didn't stick around. So Ewan McGregor ended up in the villain role.

Critical reception has been mixed, but it should do the trick if you are a fan of westerns like Unforgiven, True Grit or The Homesman. Rated 15+



Also opening



Triple 9 – Corrupt cops who are under the thumb of the Russian mob are forced into pulling off the perfect heist. To do so, they come up with a plan that involves setting up a rookie cop to be killed. A very violent police thriller, Triple 9 is directed by John Hillcoat, an Australian whose previous uncompromising, unrelenting and bleak efforts have included The Proposition, The Road and Lawless. The ensemble cast is toplined by Casey Affleck, with support from Chiwetel Ejiofor, Woody Harrelson, Anthony Mackie, Aaron Paul, Norman Reedus, Michael K. Williams and Clifton Collins Jr. Kate Winslet is the Russian mob boss. Critical reception is mixed, but if you're a fan of Hillcoat's previous efforts and aren't squeamish about violence, this is one to see. Rated 20-


Bangkok 13 (บางกอก 13 เมือง-ฅน-ตาย) – Veteran producer-director Dulyasit Niyomkul helms this horror thriller about a young woman (Tarntara Rungruang) who has a supernatural sixth sense. Haunted by a childhood secret, she hopes to find answers when she joins the cast of a reality TV series that sends contestants into 13 spooky places in Bangkok. Rated 13+


Ride Along 2 – Diminutive motor-mouth Kevin Hart reteams with hip-hop tough-guy Ice Cube in the second entry in director Tim Story's buddy-cop franchise. The original set up had Hart's wannabe cop trying too hard to impress his brother-in-law, a streetwise veteran lawman. So it's just more that sort of thing. Critical reception is mostly negative. Rated 13+


Friend Request – Social-media dangers are depicted in this German-produced thriller, in which was popular college student "unfriends" an acquaintance, which causes her to be cursed by a demonic presence that is killing her closest pals. Alycia Debnam-Carey, William Moseley and Connor Paolo star. Simon Verhoeven (no relation to Dutch director Paul Verhoeven) directs. Rated 15+


Jeruzalem – American tourists visiting religious sites in Jerusalem have to fight for their survival when the Holy City becomes the epicenter of the apocalypse. An Israeli-produced thriller, it's directed by the Paz brothers. Rated 15+


Retribution – And here's a Spanish-made thriller, in which a bank executive receives an anonymous phone call informing him he has just a few hours to obtain a large sum of money or a bomb under his seat will explode. Rated 13+


Hana's Miso Soup – Just as she is ready to start her life, a young woman is hit with a cancer diagnosis, but, miraculously, she becomes pregnant. And when the baby is born, the young cancer-stricken mother becomes determined to teach her daughter everything she knows, including how to make tasty, healthful miso soup. In Japanese with English and Thai subtitles at Apex Siam Square, House on RCA and SFW CentralWorld. Rated 13+


Kapoor and Sons – Summoned by their 90-year-old grandfather (Rishi Kapoor), estranged bickering brothers Rahul Kapoor (Fawad Khan) and Arjun Kapoor (Sidharth Malhotra) return to their childhood home. There, they fall in love with the same woman (Alia Bhatt). It's in Hindi with English and Thai subtitles at Major Cineplex Sukhumvit, Rama III and Pattaya. Opens Friday.



Also showing



Thailand-China Film Culture Week – Forty years of diplomatic ties and increasingly cozier relations are celebrated in Thailand-China Film Culture week, organized by the Guangxi Film Group Company Limited, SF cinemas and the Thai-Chinese Culture Union. Running from tomorrow until Sunday at SF World Cinema at CentralWorld, the event will have five contemporary Chinese films playing alongside two critically acclaimed indie Thai films. Here is the line-up:

  • The Nightingale – An eight-year-old girl and her grandfather walk from Beijing to his rural hometown in Guilin in order to fulfill promise to his dead wife, to deliver a caged nightingale bird. From 2013, The Nightingale made the rounds of film festivals in 2014 and last year, and won a few awards.
  • Liu San Jie – From 1978, here's a classic from the Guangxi library. Touted as China’s first musical movie, it's the story of a travelling folksinger, Third Sister Liu, who inspires villagers wherever she goes.
  • The Dancing Young – High-school students who are crazy about dancing look for their big break as they try to balance the activity with their studies and social lives.
  • Monkey King: Hero Is Back – The hero of Chinese literature and legend gets another outing in animated form in a story of a special child who unknowingly releases the Monkey King from a 500-year curse. He pays back the kid by fighting the evil monster who have taken over his village.
  • Saving Mr. Wu – Andy Lau toplines this taut, fact-based thriller about a Hong Kong actor who is kidnapped in China by four criminals posing as police. The real cops have 24 hours to come up with a ransom to save the guy. Sheng Deng (Police Story: Lockdown and Little Big Soldier) directs. It was nominated for two awards at last year's Golden Horse Film Festival and has scored positive reviews.
  • Eternity (ที่รัก, Tee Rak) – Award-winning Thai indie writer-director Sivaroj Kongsakul recounts a rural Thai-Chinese upbringing in this haunting, heartfelt drama that was inspired by the death of his father and the romance of his parents. It won the Tiger Award at the 2010 International Film Festival Rotterdam and also took prizes in Deauville and Hong Kong.
  • W. – Chonlasit Upanigkit, a young filmmaker who sought out for talent in the film-editing suite, made his directorial debut with the enigmatic W., which was his student film. Originally three hours long, it was trimmed down to its two-hour bare essence and won critical acclaim in 2014. It's the story of a disoriented young woman who is thrown into the deep end of college life.
There's actually a screening of the musical tonight, but it is invitation only. Public screenings begin tomorrow night at SF World. Tickets are free and will be handed out 30 minutes before the shows – get your place in line well before that ensure you have a decent seat. For the schedule, please see the SF Cinemas website.



The Friese-Greene Club – Heineken? Don't even think about it ordering one if you see Blue Velvet at the Club tonight. It's part of monthlong tribute to cult director David Lynch. Tomorrow's "controversial" film is 2005's Hard Candy, about a teenage girl seeking revenge against a pedophile. And Saturday has the second of three screenings this month of Trump: What's the Deal?, a revealing 1999 documentary that is reportedly "the movie Trump doesn't want you to see." It costs 150 baht. Sunday has another of the films shot by the late British cinematographer Douglas Slocombe, the ahead-of-its-time dystopian sci-fi sports drama Rollerball, from 1975. And next Wednesday is another entry from Denmark's Dogme 95 school, Lars von Trier's Dancer in the Dark, starring Bjork. Shows are at 8pm. The FGC is down an alley next to the under-renovation Queen's Park Imperial Hotel on Sukhumvit Soi 22. For more details, check the club's Facebook page.


Alliance Française – There are two movies to list this week – a "kids' movie" on Saturday and the usual Wednesday night screening. First up at 2pm on Saturday is The Painting (Le tableau), which has characters in an unfinished painting coming into conflict. Three of them team up for an adventure in which they leave the painting in search of the artist. And then the next usual Wednesday night screening will be Party Girl, a 2014 comedy-drama about an ageing nightclub hostess who decides to settle down and get married.



Take note

Way too many movies to deal with this week, as distributors and cinema chains work to get a few titles off their books and clear the decks ahead of next week, when the main focus will be on Warner Bros' big superhero tentpole, Batman v. Superman: Dawn of Justice.

Meanwhile, the Salaya International Documentary Film Festival is continuing to offer updates on on its sixth edition, which runs from March 26 to April 3 at the Bangkok Art and Culture Center and the Film Archive in Salaya, Nakhon Pathom. Watch the Facebook page as details emerge.

Thursday, February 11, 2016

Bangkok Cinema Scene: Movies opening February 11-17, 2016

The Act of Killing


The perpetrators of genocide in Indonesia in the 1960s are given a chance to tell their side of the story in The Act of Killing, which has these colorful military figures and politicans re-enacting their gruesome deeds in often self-aggrandizing fashion, in scenes from their favorite types of movies – westerns, film-noir mysteries and lavishly staged musical numbers.

The Act of Killing rubbed me the wrong way when I saw it in a one-off special screening in Bangkok a few years ago. I felt it let those men mostly off the hook for their wave of politically motivated killings in 1965-66. But it was part of a one-two punch by director Joshua Oppenheimer and his "anonymous" team of filmmakers, who followed up the The Act of Killing with the powerful and essential counter-punch, The Look of Silence, which focused on one gentle survivor's personal search for truth and justice.

Brought back by the Documentary Club, this is the 159-minute "director's cut" of The Act of Killing. It won many awards, including the European Film Award for Best Documentary and the Asia Pacific Screen Award. It was also a nominee for the Academy Award for Best Documentary Feature.

The Act of Killing opens this week, and the must-see followup The Look of Silence is released next Thursday. There's a special screening of both films from 6pm on Saturday in an event put together by the Documentary Club and Film Kawan, an academic group that specializes in Southeast Asian films. It's at SF World Cinema at CentralWorld.

Apart from that special screening, regular venues for The Act of Killing are SF World, SFX Central Rama 9, SFX Central Lad Phrao and SFX Maya Chiang Mai. For further details, check the Documentary Club Facebook page or SF Cinemas booking site



Also opening



Luk Thung Signature (ลูกทุ่ง ซิกเนเจอร์, a.k.a. Love Beat) – Star-studded stories unfold to the toe-tapping beat of Thai country songs in this sprawling musical drama by producer-director Prachya Pinkaew (Ong-Bak, Tom-Yum-Goong. The stories include a brooding business executive (Krissada Sukosol Clapp) who is searching for the cleaning lady he heard singing while he was in the toilet. She's played by Rungrat "Khai Mook The Voice" Mengphanit. Another story centers on a washed-up overweight pop singer (Chalitit "Ben" Tantiwut) who finds new popularity when he switches to luk thung. Other stars include The Voice Thailand Season 1 winner Tanon Jamroen as well as Siraphan Wattanajinda, Chaiyathat Lampoon, Sombat Metanee and Pitsamai Wilaisak, Sumet Ong-art, Su Boonliang and luk thung songwriter Sala Khunawut. Read more about it in a story in The Nation. Rated G


Deadpool – Marvel Comics’ wisecracking "Merc with a Mouth" comes to the screen in this origin story starring Ryan Reynolds. He's a mercenary former Special Forces operative who has cancer and submits to a rogue experiment that leaves him horribly disfigured but with heightened healing powers and superhuman abilities. Deadpool is officially part of the X-Men franchise, which is held by Fox. It's been in development a long time, but it seems with all the tinkering they may have got it right, leaving critics impressed. Rated R in the States, mainly for baudy language, this comic-book movie is not necessarily for the kiddies. Rated 15+


Carol – One of the big titles of awards season, Carol has been widely praised for its performances by Cate Blanchett and Rooney Mara as women in a taboo lesbian relationship in the U.S. in the 1950s. Blanchett is the housewife Carol who attracts the curious eyes of shopgirl and aspiring photographer Therese (Mara). They gradually grow closer while Carol is in the midst of a messy divorce. Todd Haynes (I'm Not There, Far from Heaven) directs. Listed among the year's best by many, many critics, Carol has six Academy Award nominations, including best actress for Blanchett and supporting actress for the co-lead Mara. Critical reception is wildly positive. This opened in sneak previews last week and now movies to general release. Rated 15+


The Choice – Ick. It's Valentine's Day weekend, so here's yet another movie adaptation of yet another weepy Nicholas Sparks romance novel. It's the story of the evolving relationship between a womanizing small-town veterinarian (Benjamin Walker) and his neighbor, an attractive young woman (Teresa Palmer) who is a medical student. Critics think it's yucky. Rated G


Already Tomorrow in Hong Kong – Combining the spirit of two holidays, last weekend's Chinese New Year and this weekend's Valentine's Day, here's a love letter to Hong Kong. The story has a young Chinese-American woman (Jamie Chung) visiting Hong Kong for the first time. She meets an expat American (Bryan Greenberg) who is working in finance. The two hit it off as they tour the sights. They then meet again a year later. Critical reception has been generally favorable.


The Monkey King 2 – This actually came out last week, but wasn't in cinemas until Friday, so I got confused when it didn't appear last Thursday and didn't list it. Sorry about that, campers. An obligatory release for Chinese New Year, The Monkey King 2 is a sequel to a 2014 big-budget blockbuster fantasy based on ancient Chinese literature. Aaron Kwok steps into the role of the Monkey King, taking over from Donnie Yen. He is released from prison after 500 years and tasked with undertaking his "journey to the West" to retrieve sacred scriptures. Gong Li also stars, playing the chief villain, the White Bone Demon. Soi Cheang directs with action choreography by Sammo Hung. Special effects were handled in New Zealand by the same folks that did visual effects for The Lord of the Rings and The Hobbit. It's in Chinese with English and Thai subtitles in select cinemas. Rated 13+


Fitoor – Charles Dickens' Great Expectations receives the Bollywood treatment in this sweeping romantic drama starring Aditya Roy Kapur, Katrina Kaif and Tabu. It's the story of star-crossed relations between a poor boy who lives by the docks and the beautiful daughter of the wealthiest man in town. It's in Hindi with English and Thai subtitles at Major Cineplex Sukhumvit, Rama III and Pattaya.



Also showing


The Friese-Greene Club – "Blue baby syndrome" is at the heart of tonight's selection, Something the Lord Made, a well-regarded made-for-HBO drama starring Alan Rickman as a pioneering American researcher in the 1930s, who performs medical studies with help from a gifted young black man (Mos Def). Tomorrow, talented cinematographer Haskell Wexler takes his place in the director's chair, mixing fiction with documentary footage in Medium Cool, a counter-culture drama about a TV cameraman caught up in the violence that erupted during the 1968 Democratic National Convention in Chicago. Saturday's "kinky" movie is The Night Porter, starring Dirk Bogarde as a sadomasochistic former Nazi concentration camp officer who is in a twisted relationship with one of his former prisoners. Sunday has a special Valentine's Day movie – The Road Home – Zhang Yimou's timeless love story of a schoolteacher and the young woman (Zhang Ziyi) who falls for him. Next Wednesday, it's another of David Bowie's cinematic contributions, the Japanese prisoner-of-war drama Merry Christmas, Mr. Lawrence. Shows are at 8pm. The FGC is down an alley next to the under-renovation Queen's Park Imperial Hotel on Sukhumvit Soi 22. For more details, check the club's Facebook page.



German Film Series – Struggling Berlin artists collaborate on a project sponsored by a biotech company and they become the next step in human evolution in the science-fiction comedy-drama Art Girls. The show is at 1pm on Sunday at the Film Archive in Salaya, Nakhon Pathom and at 6pm on Tuesday in the fifth-floor auditorium at the Bangkok Art and Culture Center. Keep in mind, the Archive and the Goethe have special event coming up, Wim Wenders: A Retrospective, opening on February 25 with a Lumpini Park screening of Wings of Desire.


Alliance Française – Voilà! The AFThailande.org website appears to be back up. Next week's show is Brooklyn. Not to be confused with last year's current critical hit with the same title, this Brooklyn is from 2014 and is the story of a runaway girl who tries her luck with the hip-hop scene in Paris. It's at 7pm on Wednesday, February 17, at the Alliance.



Sneak preview



Bakuman – Japanese teenage comic-book artists meet in high school and try to get their stories published in a weekly comics magazine. This is a movie adaptation of a popular manga about manga artists that has also been adapted as an animated TV series. It's by the same folks who did the popular manga-based horror Death Note. It's in sneak previews with shows from around 8 nightly in most multiplexes. It opens in general release next week. Rated G

Thursday, February 4, 2016

Bangkok Cinema Scene: Movies opening February 4-10, 2016

The Revenant


After several months of delays, The Revenant finally comes to Thailand.

Directed by Alejandro González Iñárritu, an Oscar-winner for last year's Birdman, the fact-based historical adventure is the account of American frontiersman Hugh Glass (Leonardo DiCaprio), who was attacked by a bear and then betrayed and left for dead by his hunting party in the early 1800s. He claws his way out of a shallow grave and goes on an epic journey through the snow to take revenge.

Tom Hardy, Domhnall Gleeson and Will Poulter also star.

As has been touted in the numerous stories released to promote the film during its vigorous awards-season campaign, The Revenant was made under often-punishing conditions, plunging DiCaprio into frozen Canadian rivers and into live animal carcasses. Despite the cold weather and hardships, the production had trouble locating places to film snow. The crew eventually was forced to pack up and leave Canada, trekking to the far southern tip of Argentina to find adequate amounts of the white stuff.

Much-hyped, The Revenant won three Golden Globe Awards and is the leading Academy Award nominee, with 12 Oscar nods, including including Best Picture, Best Director, Best Actor for DiCaprio (his fourth acting nom and likely his to win), Supporting Actor for Hardy and Best Cinematography by Emmanuel Lubezki.

Critical reception is generally positive. Rated 15+



Also opening



Room – While The Revenant has garnered much of the attention this awards season with its very prominent campaigning, the small indie feature Room has quietly been racking up accolades for its performances by Brie Larson and young Jacob Tremblay. The story is about a woman and her five-year-old son who have been held captive in a single room for years. One day, the mom sees a chance for the boy to escape, allowing him to experience the real world for the first time. It's nominated for four Academy Awards – Best Picture, Best Director for Lenny Abramson (Frank), Best Actress and Best Adapted Screenplay. Critical reception is almost universally positive. Rated 13+



The Danish Girl – One of the first patients to undergo sexual reassignment surgery is covered in this highly fictionalized historical drama, which has been winning awards and nominations. Alicia Vikander and Eddie Redmayne star as a Danish painter couple whose relationship evolves after the wife asks her husband to pose as a woman for a portrait. This awakens a longing inside, and the husband decides he is a she named Lili. Directed by Tom Hooper (The King's Speech, Les Misérables), The Danish Girl has been a major nominee, with Golden Globe, Academy Award and Bafta nods for both Vikander and Redmayne, who was a big winner last year for his turn as Stephen Hawking in The Theory of Everything. Critical reception is generally positive. This opened in a sneak preview last week and now moves to general release. Rated 18+


Pride and Prejudice and Zombies – Zombie-comedy hijinks meet Jane Austen in this horror romp that has heroine Elizabeth Bennett (Lily James) and her socialite gal pals as highly-trained martial arts warriors. They kick into high gear to combat an undead plague. But the willful Elizabeth must put also aside her differences with the snobby Mr Darcy (Sam Riley) to defeat the zombie menace. Critical reception is mixed. Rated 15+


Dirty Grandpa – Just before his wedding, a strait-laced young man (Zac Efron) is tricked into driving his recently widowed grandfather (Robert De Niro) to Florida. The foul-mouthed old man wants to cut loose, and indulge in the booze, drugs and sex on offer during the college Spring Break. Aubrey Plaza (Parks and Recreation) also stars. This movie has been widely reviled by critics and has been termed among the worst and most embarrassing of the late-career efforts of De Niro. Rated 18+


Extraction – I imagine Bruce Willis banks in the same place as Robert De Niro. He cashes another paycheck with this drama that mostly went straight to video in the States but has been deemed as good-enough filler for the Thai multiplexes. The Die Hard star is a retired CIA operative who is taken hostage by terrorists. His only hope for rescue is his son (Kellan Lutz), a deskbound CIA analyst, who launches an unsanctioned rescue mission. Gina Carano (Haywire) also stars. Critical reception is overwhelmingly negative. Rated 15+



Also showing


The Friese-Greene Club – David Bowie, Alan Rickman and Haskell Wexler, all beloved film figures we lost in the past month or so, are paid tribute in February at the Club. Rickman is a ghost humorously haunting his widow (Juliet Stevenson) in tonight's offering, the 1990 romantic comedy Truly, Madly, Deeply. Cinematographer Wexler's talents are on display in 1966's Who's Afraid of Virginia Woolf?, which also showcases the abilities of Elizabeth Taylor and Richard Burton as a bickering couple. Saturdays are devoted to "Variety's 'kinkiest movies ever made", a list that exists as a backlash to Fifty Shades of Grey, which the Club hates. This week's entry is Secretary, with James Spader in one of his creepiest roles. He's the sadomasochistic boss of a new secretary (Maggie Gyllenhaal). Sundays are devoted to director Billy Wilder, starting with the 1944 film-noir thriller Double Indemnity, starring Fred MacMurray, Barbara Stanwyck and Edward G. Robinson. Bowie's films screen on Wednesdays. He's a vampire in next week's offering, The Hunger, a pre-Top Gun effort by Tony Scott. Shows are at 8pm. The FGC is down an alley next to the under-renovation Queen's Park Imperial Hotel on Sukhumvit Soi 22. For more details, check the club's Facebook page.


Sayonara Setsuko: A Tribute to Setsuko Hara – In the run-up to next weekend's Japanese Film Festival, Filmvirus, the Japan Foundation and the Reading Room join for a tribute to one of Japan’s most revered actresses. Three films will demonstrate her legacy, starting with 1946’s No Regrets for Our Youth by Akira Kurosawa, followed by Yasujiro Ozu’s Late Spring from 1949 and Mikio Naruse’s Repast from 1951. The show starts at 1pm on Sunday, February 7 at The Reading Room on Silom Soi 19.


Cinema Diverse: Director's Choice – Thailand's most celebrated filmmaker, Apichatpong Weerasethakul, is still scheduled to make an appearance on Saturday at the Bangkok Art and Culture Center for the closing entry in the BACC's Cinema Diverse: Director's Choice series for 2015-16. His choice is the 2012 Chilean political drama No, starring Gael García Bernal as an advertising man who takes up work for the scrappy "No" campaign that ousted General Augusto Pinochet in a 1988 national plebiscite. Pablo Larraín directs. “This film makes me realize that we were born to be puppets. Our strings are being pulled by different forces. Even the word “Democracy” has its own agenda. By the time we grow up and see the strings, we cannot cut them. All we can do is smile as the scripts tell us to. So much so that sometimes we think that our freedom and happiness are real,” Apichatpong says in translated remarks on the BACC website. He and Bangkok Post film critic Kong Rithdee will host a discussion following the screening. It's a free event, with seats available on a first-come, first-served basis. If you want to go, you'll probably need to queue up early for registration, which opens at 4.30pm. The screening is at 5.30pm in the 220-seat fifth-floor auditorium.


German Open Air Cinema – The crime farce Suck Me Shakespeer closes out the Goethe Institut's annual outdoor screening series. A critically acclaimed 2013 box-office hit, Suck Me Shakespeer follows an ex-convict criminal who lands a job teaching rowdy teenagers at a school that was built over the place he buried stolen loot. The show is at 7.30pm on Tuesday, February 9, outdoors at the Goethe-Institut on Sathorn Soi 1. Meanwhile, the Goethe's regular German Film Series continues with monthly screenings at the Bangkok Art and Culture Center and at the Film Archive. And the Archive and the Goethe have joined for Wim Wenders: A Retrospective, which will feature nine of his films, including a Lumpini Park screening of Wings of Desire on February 25 and the first 3D screening at the Film Archive, with Pina on March 5.


Alliance Française – The AFThailande.org website appears to be down. There's Facebook, but it's not the same. In the meantime, I have two movies to list. First, there is a "kids' movie", a 2pm Saturday show of U, a fairy tale about a unicorn that befriends a lonely imprisoned princess. And then the usual free French film next Wednesday is Le Petit Lieutenant, a 2004 crime drama about a fresh academy graduate from Le Havre getting picked for the Paris vice squad and partnered with a senior officer who is old enough to be his mother. She's played by Nathalie Baye. It's at 7pm on Wednesday, February 10, at the Alliance.



Sneak preview



Carol – Another of the big titles of awards season, Carol has been widely praised for its performances by Cate Blanchett and Rooney Mara as women in a taboo lesbian relationship in the U.S. in the 1950s. Blanchett is the housewife Carol who attracts the curious eyes of shopgirl and aspiring photographer Therese (Mara). They gradually grow closer while Carol is in the midst of a messy divorce. Todd Haynes (I'm Not There, Far from Heaven) directs. Listed among the year's best by many, many critics, Carol has six Academy Award nominations, including best actress for Blanchett and supporting actress for the co-lead Mara. Critical reception is wildly positive. It's in sneak previews from around 8 nightly in most multiplexes before opening in general release next Thursday.