Bangkok Cinema Scene special: Bangkok Gay and Lesbian Film Festival, June 10-19, 2016

Twelve films, many of them award winners, which deal with lesbian, gay, bisexual and transgender themes from 10 countries will be shown at the Quartier CineArt during the second edition of the Bangkok Gay and Lesbian Film Festival. It’s organised by Attitude magazine.

With the theme “Love Wins”, the BGLFF opens next Friday with Tomcat, an Austrian drama that earned accolades at this year’s Berlin International Film Festival. The story of an orchestra musician and his boyfriend who live with their pet cat, Tomcat won the Berlinale’s best feature Teddy Award, a prize given by an independent jury to films with LGBT topics.

And the Teddy Award audience prize from this year’s Berlinale, Paris 05:59, is the BGLFF’s closing entry. It follows a young gay couple as they meet in a Paris bathhouse and pursue a relationship into the early morning hours.

In a move to boost the festival’s visibility, organisers have chosen a new venue, shifting from the hidden-away Esplanade Ratchadaphisek to the ritzy Quartier CineArt in the Em Quartier downtown.

“Last year was the first year for the Bangkok Gay and Lesbian Film Festival, and we were really happy with the turn-out. All sorts of people came out to support us and our films,” says organiser Marut “Nume” Prasertsri, a senior writer at Attitude magazine. “This year we’re working hard to increase the visibility of the festival to non-LGBT audiences. The films we’ve picked are all quality, well-made films with a wide appeal. We’re looking forward to sharing them with a broad audience of people, not just LGBT folks.”

Along with the prize-winning opening and closing films, Marut suggests a French entry, the lesbian romance Summertime (La Belle Saison) as one film the “straights” might embrace. Set in 1971, it’s the story of a young woman from the countryside who moves to Paris and is attracted to a strong-willed older feminist, who then follows the girl back to her farm. “Non-LGBT folk will better understand what it means to grow up different and they’ll enjoy the romance scenes,” says Marut.

Several of the films in the BGLFF are from Asia, such as Japan’s A Cappella (Mubansô), which takes place during campus protests in 1969 Sendai. South Korea offers a documentary, Weekends, about a gay men’s choir in Seoul. Directed by Lee Dong-ha, it placed third in the Panorama Audience Awards at Berlinale this year.

Further Asian themes are explored in Spa Night, in which a young Korean-American man struggles to reconcile his obligations to his immigrant family with his life in the underground world of gay hookups at Korean spas in Los Angeles. Spa Night star Joe Seo won the Special Jury Award for Breakthrough Performance at Sundance.

And there’s an award-nominee from India, Loev, about a businessman who heads out of town with an old friend, leaving behind problems with his boyfriend in the city. It was up for prizes at festivals in Jeonju, South Korea, and at the Black Nights of Talliin in Estonia.

The Asean bloc is represented by Miss Bulalacao, a quirky independent comedy about a drag princess who gets pregnant following an alien abduction. He is elevated to the status of a cult leader following rumours of immaculate conception. Directed by Ara Chawdhury, Miss Bulalacao won the festival prize at Manila’s Cinema One Originals Digital Film Festival and best first feature from the Philippines Young Critics Circle.

Latin American flavor comes in two entries, From Afar, from Venezuela and Four Moons from Mexico. Winner of the top-prize Golden Lion at the Venice Film Festival last year, From Afar is about a 50-year-old man who pays for the companionship of young men. A meeting with the teenage leader of a street gang changes their lives forever. Four Moons, which won prizes in Montreal, Monterrey and Barcelona, has four stories of gay desire, love and self-acceptance.

And there are high-profile offerings from the U.S. and Canada, with Nasty Baby, which has Chilean actor-director Sebastian Silva working with Tunde Adebimpe in a story about a gay couple trying to have a baby with the help of a surrogate mum, played by former Saturday Night Live star Kristen Wiig. They have a violent run-in with a thug (Reg E. Cathey from The Wire).

And Closet Monster won the best Canadian feature film award and other prizes at the Toronto festival last year. Directed by Stephen Dunn, it’s the dramatic coming-of-age story of a high-school teen who dreams of being a special-effects makeup artist and finds new inspiration.

The Bangkok Gay and Lesbian Film Festival runs from June 10 to 19 at the Quartier CineArt at the EmQuartier mall. Films will have English and Thai subtitles. For more details, check www.Facebook.com/BGLFF or Attitudethai.com/s/bglff

(Cross-published in The Nation)

Bangkok Cinema Scene: Movies opening September 10-16, 2015

Gerontophilia

Attendees of the now-defunct Bangkok International Film Festival in 2008 might remember a weird movie called Otto: Or Up with Dead People, an offbeat musical comedy about a gay zombie that featured explicit sex scenes.

And as far as I recall, that's the last time a Bruce LaBruce movie played publicly in Bangkok, until now. This week brings a light-hearted 2013 effort from Canada's taboo-challenging cult director, the romantic comedy Gerontophilia, which covers the sexual awakening of a young man (Pier-Gabriel Lajoie) as he discovers he has a fetish for elderly men. To nurture his new obsession, he takes a job in a nursing home and develops a special bond with one of the patients.

The film has been brought in by the new indie distribution shingle Doo Nang Took Wan, run by Ken Thapanan Wichitrattakarn, a public-relations professional who got into the movie business a few months ago when he single-handedly brought the Brazilian coming-of-age gay drama The Way He Looks to Bangkok.

Critical reception has been mixed. It's at the Lido. Rated 18+

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Also opening

No Escape – Owen Wilson, not content to wait by the phone for his buddy Wes Anderson to call, stars as a water engineer who has moved with his family to an anonymous, strife-torn Southeast Asian country. There, wherever that is, a rebellion breaks out and the family become targets as anti-foreigner sentiments boil over. Lake Bell and Pierce Brosnan also star. There have been at least a couple controversies over this production, which had the working title of The Coup when it was being made in northern Thailand a year or so ago. One was when Wilson posed for a photo with whistle-blowing anti-government protesters. There was also a fuss over the signage in the film, which in a desperate move by the country's film minders to strip any Thai identity out of the picture, so as to not harm tourism, was written in Khmer and turned upside down. That has led to No Escape being banned in the newly emerging cinema market of Cambodia, amid rumors that it would be banned in Thailand as well. No such luck. Critical reception has been mixed. It's by the writer-director pair of John Erick and Drew Dowdle, who previously did the found-footage thrillers Quarantine and As Above, So Below. Rated 15+

SPL 2: A Time for Consequences – Thai martial-arts star Tony Jaa makes his much-anticipated debut in a Hong Kong action film. He's a tough Thai cop who has taken a job as a prison guard while he tries to raise money to pay for his sick daughter's treatment. On the job, he's assigned to watch over a prisoner (Wu Jing) who is actually a Hong Kong police officer who has gone way undercover in a relentless bid to bring down the head of a human-trafficking ring. Louis Koo and Simon Yam also star. Cheang Pou-soi (Dog Bite Dog, Motorway) directs. This is a sequel-in-name-only to the terrific 2005 Hong Kong crime thriller SPL: Sha Po Leng, which had Donnie Yen throwing down with the formidable Sammo Hung. Wu Jing was in that one too, but played a different character. A box-office success in China, critical reception for SPL 2 has been fairly positive – much better than for Jaa's English-language debut Skin Trade, which I actually kinda liked. SPL 2 is Thai-dubbed only with English subtitles. Rated 18+

The Assassin – Taiwanese auteur Hou Hsiao-Hsien returns with his first movie in eight years, and his very first wuxia martial-arts drama. It's set during the olden days of the Tang Dynasty. Shu Qi stars as a young woman who returns to the village where she was born, and sent away from as child. Training since then as an assassin, she is out to redeem herself after botching a previous job. But this one isn't going to be easy, as her new target is the man she had been arranged to marry. Chang Chen also stars. After making a buzzworthy premiere at the Cannes Film Festival, where it won the best director prize, critical reception has been generally positive. It's in Mandarin with English and Thai subtitles at Apex, House, Major Ratchayothin, Major Rama III, Paragon, Quartier CineArt and SFW CentralWorld. Rated 15+

Assassination – Not to be confused with China's The Assassin, this South Korean period drama deals with a ragtag team of resistance fighters under Japanese occupation in the 1930s. Lifting a page from The Dirty Dozen, they are condemned criminals who have been let out of prison with top-secret orders to kill the Japanese army’s commander. Critical reception has been favorable. It's in Korean with English and Thai subtitles at Esplanade Ratchada, Major Ratchayothin, Paragon and Quartier CineArt. Rated 18+

Self/less – A terminally ill elderly billionaire buys a chance for eternal life through an underground experimental medical procedure that transfers his consciousness into the cadaver of a younger man. He's played by Ryan Reynolds. Tarsem Singh, slumming it since the hyperstylishness of The Cell, directs. Critical reception has been mostly negative. Rated 15+

The Shamer’s Daughter – There's swords and sorcery in this adaptation of a best-selling Danish young-adult fantasy novel by Lene Kaaberbol. It's about a supernaturally gifted young woman who has to uncover the truth when her realm's heir to the throne is wrongfully accused of killing his family. Seems it is Thai-dubbed only. Rated 15+

Cub – Kids are in peril in this Belgian import about Cub Scouts camping in the woods becoming prey for a local poacher and his feral son. It's at SF cinemas only, and according to the soundtrack information I've been given, it's in Flemish and French with English and Thai subtitles.

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Also showing

The Friese-Greene Club – Tonight, a mathematician becomes increasingly paranoid and obsessed as he tries to find meaning in a mysterious numerical sequence in Pi, the debut feature of Darren Aronofsky. And tomorrow it's the directorial debut of Robert Redford, 1980's Academy Award-winning Ordinary People. And another classic shows on Saturday, Terrence Malick's debut Badlands. It's still his best film. Sunday has a special screening of the 1997 comedy As Good As It Gets, with a member of the assistant director team, Robert Neft, sharing behind-the-scenes stories of working with director James L. Brooks, star Jack Nicholson, Helen Hunt and Greg Kinnear. And next Wednesday is Android, a low-budget 1982 robot drama that B-movie producer Roger Corman passed on. It went on to be a critically acclaimed sleeper hit. Shows are at 8pm. The FGC is down an alley next to the under-renovation Queen's Park Imperial Hotel on Sukhumvit Soi 22. For more details, check the club's Facebook page.

Behind the Painting – Time to get out of the cinema and into the art gallery, as the interesting and talented video artist and filmmaker Chulayarnnon Siriphol offers his interpretation of the classic Thai story Behind the Painting. Set in Japan, the tragic romance involves a young Thai student who has been employed by an elderly Japanese man to look after his young blue-blooded Thai wife. Written in 1937 by popular author Sri Burapha, the novel has been adapted for film, television and stage many times, including a 2001 film version that was the last feature by the revered Thai auteur Cherd Songsri. In an homage to Cherd, his film is woven into the fabric of Chulayarnnon's entertaining experimental work, which has him hilariously portraying both the young man and, in the grand tradition of theatrical cross-dressing, the young woman. I've actually seen this, in a Film Virus retrospective last year, and I told Chulayarnnon afterward that I don't feel I need to see any other version. Definitely worth a look. It was created last year during Chulayarnnon's participation in the artist-in-residence program at the Aomori Contemporary Art Center in Japan. Organized by the Japan Foundation and curated by the Aomori center's Hiroyuki Hattori, Behind the Painting is at the Silpakorn University Art Center, opening tomorrow night (invitation only) and running until October 10. Directions to the gallery are available online.

Alliance Française – There are two French film to list this week. First up is a family friendly animated feature at 2pm on Saturday, 2012's Moon Man, in which the Man in the Moon grows bored and goes sightseeing across the universe. Meanwhile, none of the children on Earth can fall asleep because the Moon Man is missing. And next Wednesday's usual screening is 2013's Un château en Italie (A Castle in Italy), written, directed by and starring Valeria Bruni Tedeschi. The semi-autobiographical yarn has a woman re-energized by love in her life. Meanwhile, her wealthy industrialist family is crumbling around her. It screens at 7pm on Wednesday, September 16, at the Alliance.

Bangkok Cinema Scene: Movies opening July 16-22, 2015

P’chai My Hero

A much-needed fresh perspective in Thai cinema emerges in the indie drama P'Chai My Hero (พี่ชาย My Hero), which is adapted from the short stories of noted Thai-American writer Rattawut Lapcharoensap and directed by Korean-American Josh Kim. Combining two stories from Rattawut's Sightseeing collection, P'Chai My Hero is known internationally as How to Win at Checkers (Every Time).

The story centers on the tender relationship between two brothers, insecure 11-year-old Oat and his masculine but openly gay older brother Ek. Orphaned at a early age, the boys live with their superstitious aunt and her pest of a younger daughter. It's a warm-hearted yet bittersweet coming-of-age tale, as Oat looks for ways to help Ek stay out of the army as the annual military draft lottery approaches. Oat also wants desperately to beat Ek at checkers, so that Ek will finally take him for a night out in Bangkok.

Not only is this Thai film cobbled together from the English literature of a Thai-American writer by a Korean-American director (he previously did a short documentary called Draft Day, on transgender folk taking part in Thailand's unique military conscription drawing), the producers hail from all over – Indonesia, South Korea, Thailand and the US. They are Edward Gunawan, Chris Lee, Andrew Thomas Tiernan and Anocha Suwichakornpong. This could well signal a direction to follow in the Asean Economic Community, as Southeast Asia's filmmakers look for ways tell stories that resonate with home audiences as well as those abroad.

How to Win at Checkers (Every Time) premiered at the Berlin International Film Festival, and also had a screening at the inaugural Bangkok Gay and Lesbian Film Festival. Critical reception has been highly positive – this is one of the best Thai films of the year so far. Don't miss it. It's at Apex, Esplanade Ratchada, House, Major Ratchayothin, Paragon and Chiang Mai Airport Plaza. Rated 18+

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Ant-Man

The Marvel Cinematic Universe takes a comedic turn with Ant-Man, a super-sized superhero who has the ability to be as small as an ant or as big as a skyscraper. A brilliant scientist, he's actually one of the founding members of The Avengers superhero team.

Paul Rudd stars as a small-time thief who is tasked by scientist Hank Pym (Michael Douglas) with recovering his stolen super-suit, which gives the wearer the ability to shrink in size with a corresponding increase in strength. Corey Stoll and Evangeline Lilly also star.

This project was originated by cult British director Edgar Wright, who was set to direct. But, when the far-out ideas of Wright and his writing partner Joe Cornish clashed with the lockstep world-dominating plans of Marvel Comics executives, he left the project and Adam McKay (Anchorman) was brought in to rewrite the script, along with Rudd. Peyton Reed (Bring It On, The Break-Up) directs.

Critical reception is generally positive. Like The Avengers and Guardians of the Galaxy, this will have references to other Marvel movies, so keep your seat during closing credits if you don't want to miss out. It's in 2D in converted 3D (including IMAX). Rated G

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Also opening

Kidnapping Freddy Heinenken – Anthony Hopkins stars as the heir to a Dutch beer empire in this fact-based crime drama about a 1983 kidnapping that resulted in the biggest ransom ever paid. But, the strain of the caper tested the friendships of the perpetrators. Sam Worthington, Jim Sturgess and Ryan Kwanten also star. It's directed by Daniel Alfredson, a Swede who previously did two sequels in the Swedish The Girl with the Dragon Tattoo movies and is the older brother of Tomas Alfredson (Let the Right One In, Tinker, Tailor, Soldier, Spy). Critical reception is mixed. Rated 15+

Bajrangi Bhaijaan – A five-year-old speech-impaired Pakistani girl gets lost at a railway station in India, and finds shelter in the colorful community of a Hindu man (Salman Khan), who takes it upon himself to reunite the mute girl with her family. Kareena Kapoor, Nawazuddin Siddiqui and Om Puri also star. It's in Hindi with English and Thai subtitles Major Cineplex Sukhumvit, Rama III and Pattaya. Opens Friday.

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Also showing

European Union Film Festival – Still plenty to see as the long-running annual EU fest rolls into its final weekend at SF World Cinema at CentralWorld. Tonight, it's Beloved Sisters, a historical drama from Germany. Tomorrow is the Dutch thriller Borgman, in which a street person worms his way into the lives of an upper-class family. Saturday has the darkly comic Heavenly Shift, about a Budapest ambulance worker, the Belgian surrogate pregnancy drama Melody and the highly acclaimed '71, about a British soldier stranded alone in Troubles-wracked Belfast. And Sunday has the Romanian family drama The Japanese Dog and two from the late Portuguese auteur Manoel de Oliveira, Gebo and the Shadow and The Old Man of Belem. The EU fest next moves to SFX Maya Chiang Mai from July 24 to August 8 and then to SF Cinema City in Khon Kaen from August 7 to 9. For details, check my earlier post, the SF cinemas website or the EU's Facebook.

The Friese-Greene Club – A controversial flop when it was originally released, director Tod Browning's 1932 sideshow drama Freaks found its audience on the midnight-movies circuit in the 1970s. Screening tonight, it is now a cult classic. Tomorrow night's "precocious girl" is once again Natalie Portman, who followed up her role in 1994's Leon with 1996's Beautiful Girls, which has a bunch of adults at a crossroads during a high-school reunion. Timothy Hutton, Matt Dillon and Noah Emmerich also star. Saturday's "bad kid" is Jodie Foster, in the rare and underrated 1976 thriller The Little Girl Who Lives Down the Lane. Martin Sheen also stars. The first rule about Sunday's film: You do not talk about Sunday's film. The second rule about Sunday's film: You do not talk about Sunday's film. And next Wednesday, it's the classic Canadian summer camp comedy Meatballs, which featured Bill Murray in his first film role. Shows are at 8pm (even the "midnight" movies). The FGC is down an alley next to the under-renovation Queen's Park Imperial Hotel on Sukhumvit Soi 22. For more details, check the club's Facebook page.

According to Marguerite Duras Project – The ongoing Marguerite Duras series continues on Tuesday and Wednesday at Thong Lor Art Space with 1969's Détruire dit-elle (Destroy, She Said), in which a depressed man meets a mysterious woman who might be involved in kidnapping women sold into prostitution. It will be followed on July 28 and 29 by 1959's Hiroshima Mon Amour, directed by Alain Resnais. All will have English and Thai subtitles. In addition to the films, which are free, the project is also staging a play, An Epilogue to the Malady of Death, which is on at 7.30pm on Thursday and Friday and 3pm on Saturday and Sunday until August 1. For details, check the Thong Lor Art Space Facebook page or the Facebook events page.

Alliance Française – In Au Galop (In a Rush), a young single mother is about to get married when she meets another guy, a single dad with an overbearing mother. Louis-Do de Lencquesaing directs and stars in this comedy-drama, which also stars Marthe Keller. It screens at 7pm on Wednesday, July 22, at the Alliance.

Bangkok Cinema Scene: Movies opening July 2-8, 2015

The Wolfpack

Six unusual brothers, kept locked away in their Manhattan apartment by a stern father and homeschooled by their mother, learned most of what they know about pop culture and life itself from watching movies. They grew up spending their days re-creating favorite films such as Reservoir Dogs and The Dark Knight with homemade props and costumes.

It's The Wolfpack, a documentary by Crystal Moselle, who makes her debut as a director. She spent several years getting to know the Angulo brothers, all with Sanskrit names, Mukunda, Narayana, Govinda, Bhagavan, Krisna and Jagadesh. They were raised by a strict Peruvian dad, who forbade his children and his American wife from leaving their apartment on Manhattan's Lower East Side. At one point, the boys didn't leave the apartment for an entire year. But they eventually came to light when 15-year-old Mukunda was the first to venture outside, scaring the neighbors with his Friday the 13th hockey-goalie mask.

Screened at the Sundance Film Festival this year, The Wolfpack captured the hearts of industry figures, and went on to win the festival's Grand Prize for U.S. Documentary. Critical reception is generally positive.

The Wolfpack comes to cinemas as part of the ongoing Doc Holiday series, put on by the Documentary Club and SF cinemas. Shows are at 3, 5, 7 and 9 through Wednesday at SF World Cinema at CentralWorld. It's also screening at 8 night from tomorrow to Sunday at SFX Maya Chiang Mai.

Additional showtimes and venues may be added. To find out more, check Facebook. Advance bookings are encouraged through the SF Cinemas website.

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Terminator Genisys

The thing about the Terminator franchise is that the timeline is continually changing. It is canon. And whenever a character travels back in time, multiple timelines are altered and splintered. So there is no limit to what the studios want to do. If something doesn't work, they can just hit reset and try again. And it doesn't matter if it makes sense.

So now we have Terminator Genisys, which like the 1984 movie has resistance leader John Connor sending lone warrior Kyle Reese back in time to protect his mother Sarah Connor from being killed by the machines of Skynet. Original series star Arnold Schwarzenegger returns as a cyborg guardian. It'll be interesting to see how they explain the machine-man's head of gray hair and wrinkled appearance.

Other stars are Jason Clarke (Dawn of the Planet of the Apes) and Jai Courtney (A Good Day to Die Hard), with Game of Thrones' Emilia Clarke taking a break from being the mother of dragons to be the mother of future human society.

She follows GoT castmate Lena Headey in the role of Sarah Connor, Headey having portrayed the heroine mum in TV's Terminator: The Sarah Connor Chronicles, which ran for two seasons and was actually pretty cool.

Alan Taylor takes over as director. A veteran helmer who previously did Thor: The Dark World, he's best known for his work on TV series such as Game of Thrones and The Sopranos.

Terminator Genisys is the fifth feature film in the franchise. It follows 2009's Terminator Salvation, which tied in with the TV series but was a failed attempt at a reboot. Perhaps Genisys will take hold, but critics aren't so sure. Perhaps it's time to lower this franchise into a pool of molten steel.

It's in 2D and converted 3D, including IMAX. Rated 13+

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Also opening

The Trials of Cate McCall – Kate Beckinsale is Cate McCall, a former hot-shot lawyer whose career went off the rails. Newly sober and trying to rebuild her life, she is assigned to defend a woman who has been framed for murder. But her search for evidence uncovers conspiracy and corruption in the police department. Nick Nolte, James Cromwell, Clancy Brown and Mark Pellegrino also star. It's helmed by Karen Moncrief, a TV actress who is adding to her credits as a writer-director. Critical reception isn't a thing, even though this movie has already aired on the Lifetime channel in the U.S. Rated 15+

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Also showing

The Friese-Greene Club – Canadian comedies, "midnight" movies, precocious girls, bad kids and imaginary friends are featured in July. Tonight, it's Eraserhead, the disturbing and mind-blowing cult classic from David Lynch, which is a regular staple on the midnight-movie circuit. Tomorrow's precocious girl is Brooke Shields, portraying a 12-year-old New Orleans prostitute in Louis Malle's controversial Pretty Baby. Saturday's "bad kids" are boys marooned on an island in 1963's Lord of the Flies. On Sunday, the bartender won't flinch if you order two martinis for just yourself. It's James Stewart in Harvey. And next Wednesday is the hilariously uneven comedy Canadian Bacon, documentarian Michael Moore's first and only foray into scripted features. John Candy stars, in one of his last performances. Shows are at 8pm (even the "midnight" movies). The FGC is down an alley next to the under-renovation Queen's Park Imperial Hotel on Sukhumvit Soi 22. For more details, check the club's Facebook page.

Marathon 19 – Each year, the Thai Film Foundation receives hundreds upon hundreds of entries for the annual Thai Short Film and Video Festival, and each year all those entries are screened in a monthlong marathon preceding the festival. This year, the Short Film Marathon starts on Saturday, July 4, and runs until August 2, with screenings in the little FA Cinematheque on the second floor of the Bangkok Art and Culture Center. Shows run from 4.30 to 8.30 Tuesday to Friday and 11am to 8.30pm on Saturdays and Sundays. The BACC is closed on Mondays. The 19th Thai Short Film and Video Festival is set for August 13 to 23 at the BACC. For more details, check the fest's Facebook page.

Alliance Française – Next week's screening is Hannah Arendt, which depicts the German Jewish writer and philosopher as she covers  the trial of Nazi war criminal Adolf Eichmann, and presents her controversial thoughts about "the banality of evil". Margarethe Von Trotta directs and Barbara Sukowa stars. It screens at 7pm on Wednesday, July 8, at the Alliance.

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Take note

The European Union Film Festival runs from July 10 to 19 at SFW CentralWorld and is covered in a special post. Happily, you won't have to queue up in a long line to get free tickets. However, the convenience of booking your seats in advance comes at a price – 120 baht. Still a good deal.